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A pause. Mona mechanically but absently goes on with her work, avoiding all interchange of glances with her deceitful lover. The deceitful lover is plainly meditating a fresh attack. Presently he overturns an empty churn and seats himself on the top of it in a dejected fashion. "Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly." Oh, if they should be too late! If Maxwell has passed and gone down the other road, and is perhaps now already "done to death" by the cruel treacherous enemy that lieth in wait for him!.

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"Dance no more to-night with that fellow," he says quickly, as they get outside. "Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection. "Come and sit by me. You can spare me a few minutes," she says, drawing her ample skirts to one side. Mona, taking her hand from Lauderdale's arm, drops into the proffered seat beside his mother, much to that young man's chagrin, who, having inherited the material hankering after that "delightful prejudice," as Theocritus terms beauty, is decidedly epris with Mrs. Geoffrey, and takes it badly being done out of his tete-a-tete with her. "But why?" asks Mona, in amaze. "Didn't he wear one?".